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 <description>Stories RSS feed</description>
 <language>en-US</language>
<item>
 <title>Narrow Road to the Interior</title>
 <link>http://www.narrativemagazine.com/issues/winter-2010/narrow-road-interior</link>
 <description>&lt;!--paging_filter--&gt;&lt;div class=&quot;noindent&quot;&gt;&lt;em&gt;(Nonfiction and poetry; 1702; repr., Shambhala, 1991)&lt;/em&gt;&lt;/div&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;beginning_caps&quot;&gt;One of the greatest&lt;/span&gt; poets of medieval Japan, Matsuo Bashō was a man who continually wandered. He wandered from his native castle town of Ueno to the gridded center of Kyoto, and then he wandered to Edo. He wandered through different occupations: he was a servant to a feudal lord’s relative, then a worker for the waterworks department, and, finally, a poet. And in 1684, after his mother died and his little grass hut burned down, he wandered the coastlines and inland roads of Japan, eventually walking for thousands of miles, making studies of nature, people, and human spirituality. In the spring and summer of 1689, Bashō set out on one of his final journeys, and he chronicled his travels and meditations in a mixed-genre work of prose and haiku.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/winter-2010/narrow-road-interior&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/winter-2010/narrow-road-interior#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/first-second-looks">First &amp;amp; Second Looks</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/review-or-criticism">Review or Criticism</category>
 <pubDate>Sat, 30 Jan 2010 09:55:22 -0800</pubDate>
 <dc:creator>Matsuo  Bashō</dc:creator>
 <guid isPermaLink="false">83069 at http://www.narrativemagazine.com</guid>
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 <title>Shelf Space</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/shelf-space</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;The five white binders&lt;/span&gt; sit on a shelf a few feet from my desk. They are a testament to organization—not mine, I assure you, but that of a wondrous intern I hired a few years ago to catalog and file one thousand recipes. She did this with the precision and detail normally reserved for, say, compiling a Shakespeare concordance or a folio of Leonardo da Vinci drawings. Her work was impeccable. Recipes are cross-referenced by ingredient, cook, country of origin, and course.&lt;/span&gt; Crepes might be found in Breakfast, subcategory Pancake, but surely also in Dessert, subcategory French, and in France, subcategory Traditional. There would be a dozen or so variations to choose from, including, I remember, a Viennese one for &lt;em&gt;Palatschinken&lt;/em&gt; from David Bouley’s lavish book &lt;em&gt;East of Paris:&lt;/em&gt; see Vienna and New York Restaurant Chefs. This system, you must understand, was my dream. Or so I believed. Since Lauren presented me with these perfect binders three years ago, I have not once opened them.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/shelf-space&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/shelf-space#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/narrative-taste">Narrative Taste</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/essay">Essay</category>
 <pubDate>Thu, 28 Jan 2010 05:37:33 -0800</pubDate>
 <dc:creator>Aleksandra Crapanzano</dc:creator>
 <guid isPermaLink="false">82847 at http://www.narrativemagazine.com</guid>
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 <title>My Dinner Chez Monsieur Paul</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/my-dinner-chez-monsieur-paul</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;I hadn’t visited Lyon&lt;/span&gt; for more than twenty years, having moved from Europe to New York and started a family, but on this trip I was returning to report for &lt;em&gt;Food Arts&lt;/em&gt; on the young hot chefs who’d recently made the city sizzle. I grew up in Geneva, but my grandmother Madeleine was born in Lyon, and throughout my childhood, my father kept an office there. Every Thursday, after visiting what he, and generations before him, called the “capital of gastronomy,” he’d bring back the same fluid &lt;em&gt;fromage blanc en faisselle,&lt;/em&gt; one of Lyon’s specialties, which&lt;/span&gt; my three sisters and I would lap slowly, fighting endlessly over whether it was better with or without sugar. The Lyon I returned to had cleaned up nicely, shedding its provincial veil of grit and crime and acquiring a polished persona. My father had recently passed away, and perhaps, I thought, I could recapture a piece of his spirit in this city he had known so well. I strolled through Renaissance-era quarters, soaking in their soft coral glow, and peeked into age-old artisanal ateliers, searching for a glimpse of him.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/my-dinner-chez-monsieur-paul&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/my-dinner-chez-monsieur-paul#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/narrative-taste">Narrative Taste</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/essay">Essay</category>
 <pubDate>Thu, 28 Jan 2010 05:35:58 -0800</pubDate>
 <dc:creator>Sylvie Bigar</dc:creator>
 <guid isPermaLink="false">82845 at http://www.narrativemagazine.com</guid>
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 <title>Debutantes</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/debutantes</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;bold_caps&quot;&gt;Seni is a foreigner&lt;/span&gt; from Gambia and is Mary’s roommate in the freshman girls’ dorm.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/debutantes&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <category domain="http://www.narrativemagazine.com/category/section/istories">iStories</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/istory">iStory</category>
 <pubDate>Fri, 22 Jan 2010 08:49:41 -0800</pubDate>
 <dc:creator>Cynthia Litz</dc:creator>
 <guid isPermaLink="false">82289 at http://www.narrativemagazine.com</guid>
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 <title>Resolution</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/resolution</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;bold_caps&quot;&gt;Did you make&lt;/span&gt; any New Year’s resolutions? he asked her.&lt;/p&gt;
&lt;p&gt;Have I ever, since we’ve been together? No one keeps them.&lt;/p&gt;
&lt;p&gt;Well—I have one for you.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/resolution&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <category domain="http://www.narrativemagazine.com/category/section/istories">iStories</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/istory">iStory</category>
 <pubDate>Wed, 13 Jan 2010 10:02:57 -0800</pubDate>
 <dc:creator>Kay Eldredge</dc:creator>
 <guid isPermaLink="false">81709 at http://www.narrativemagazine.com</guid>
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<item>
 <title>Cartoon Art Volume 2009-10</title>
 <link>http://www.narrativemagazine.com/issues/winter-2010/cartoon-art-volume-2009-10</link>
 <description>&lt;!--paging_filter--&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/winter-2010/cartoon-art-volume-2009-10#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/cartoons">Cartoons</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/cartoons">Cartoons</category>
 <pubDate>Sat, 09 Jan 2010 16:57:02 -0800</pubDate>
 <dc:creator>Various  Artists</dc:creator>
 <guid isPermaLink="false">71259 at http://www.narrativemagazine.com</guid>
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 <title>Cartoon Art Volume 2009-09</title>
 <link>http://www.narrativemagazine.com/issues/fall-2009/cartoon-art-volume-2009-09</link>
 <description>&lt;!--paging_filter--&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/fall-2009/cartoon-art-volume-2009-09#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/cartoons">Cartoons</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/cartoons">Cartoons</category>
 <pubDate>Sat, 09 Jan 2010 16:56:01 -0800</pubDate>
 <dc:creator>Various  Artists</dc:creator>
 <guid isPermaLink="false">63445 at http://www.narrativemagazine.com</guid>
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 <title>Cartoon Art Volume 2009-08</title>
 <link>http://www.narrativemagazine.com/issues/fall-2009/cartoon-art-volume-2009-08</link>
 <description>&lt;!--paging_filter--&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/fall-2009/cartoon-art-volume-2009-08#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/cartoons">Cartoons</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/cartoons">Cartoons</category>
 <pubDate>Sat, 09 Jan 2010 16:55:11 -0800</pubDate>
 <dc:creator>Various  Artists</dc:creator>
 <guid isPermaLink="false">62368 at http://www.narrativemagazine.com</guid>
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 <title>Mary Gaitskill</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/mary-gaitskill</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;Mary Gaitskill’s&lt;/span&gt; first story collection, &lt;em&gt;Bad Behavior,&lt;/em&gt; gave readers and reviewers a prurient jolt with its cast of women turning tricks on New York street corners, druggies, sadomasochists, and twisted office sex, followed by bribed silence. But the decadence and corruption were ultimately less remarkable than the frank, unapologetic manner of the stories. In conversation, Gaitskill invokes Nabokov as an inspiration, and she creates her works much as he created his &lt;em&gt;Lolita,&lt;/em&gt; with “no moral in tow.” She touches the cold, dark, dreadful edges of&lt;/span&gt; life with perfect humanity.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/mary-gaitskill&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/mary-gaitskill#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/interviews">Interviews</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/interview">Interview</category>
 <pubDate>Thu, 31 Dec 2009 15:44:21 -0800</pubDate>
 <dc:creator>Mary  Gaitskill</dc:creator>
 <guid isPermaLink="false">80986 at http://www.narrativemagazine.com</guid>
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 <title>Leach Pad</title>
 <link>http://www.narrativemagazine.com/issues/winter-2010/leach-pad</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;It was the Danish guy&lt;/span&gt; from the embassy, not me, who wanted to hang out at this place, with soukous music and lots of Burundian girls wandering around from table to table under the stars. I had just landed that day, sleep deprived, in Central African Republic, and I’d been drinking for quite some time with Bokassa before the Danish guy showed up. So when I tried to talk about the systems dynamics of peace and stability operations and counterinsurgency, it came out garbled. “Cause and effect,” I proclaimed, “is difficult to ascertain. The only&lt;/span&gt; thing you can take to the bank is that external actors aren’t really external at all. As soon as Allah appears, he’s no longer Allah.” I was feeling philosophical.&lt;/p&gt;
&lt;p&gt;The Danish guy handed me a business card. “Come by my office when you get back from the gold mine,” he said. I wasn’t making sense, and he didn’t want to entertain my bloviations on war and peace right then. He turned to the girl sitting on his lap and asked her where she was from. “I am musungu,” he said in French, trying to embarrass her. That was slang for white person. She smiled, not sure what his point was, and kissed him on the cheek.&lt;/p&gt;
&lt;p&gt;He elbowed me. “You’re the big prize tonight,” he said. “American.”&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/winter-2010/leach-pad&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/winter-2010/leach-pad#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/fall-contest-winners">Fall Contest Winners</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/short-story">Short Story</category>
 <pubDate>Sat, 26 Dec 2009 07:30:14 -0800</pubDate>
 <dc:creator>Nate Haken</dc:creator>
 <guid isPermaLink="false">80806 at http://www.narrativemagazine.com</guid>
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 <title>Dim Lighting at the Afterparty</title>
 <link>http://www.narrativemagazine.com/issues/winter-2010/dim-lighting-afterparty</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;I was still drunk&lt;/span&gt; from breakfast. I was working on a poem called “The Blackest of Shattered Streets,” trying to breathe life into the last stanza. The first line read: “So I drift among the slate-gray concrete faces . . .” You know, New York sidewalk in winter as stand-in for a cold society. That was when Chuck, our regional branch manager, told me to take the rest of the day off. He said he smelled whiskey on me and was aware I was creating a work of art instead of counting beans like everyone else. It was the Commerce National Bank, where&lt;/span&gt; everyone wore name tags, drank coffee, and thought the same things. They flocked about in large numbers, as indiscriminate as seagulls in their white-collared shirts. I was never one of them, even before the divorce, when I thought I wanted to be. Since then I’d watched the years drip down my sides like candle wax, and now that there was almost nothing left, I was almost free.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/winter-2010/dim-lighting-afterparty&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/winter-2010/dim-lighting-afterparty#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/fall-contest-winners">Fall Contest Winners</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/short-story">Short Story</category>
 <pubDate>Sat, 26 Dec 2009 07:27:58 -0800</pubDate>
 <dc:creator>Dave  Bausch</dc:creator>
 <guid isPermaLink="false">80805 at http://www.narrativemagazine.com</guid>
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 <title>East House</title>
 <link>http://www.narrativemagazine.com/issues/winter-2010/east-house</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;Every weekday&lt;/span&gt; starts out the same: getting up early and driving to the hospital, turning in at the green sign, chugging up the hill and the winding hospital road, slowing for the constructed bumps, past the huge, baroque administration building—&lt;em&gt;wanting to turn back every minute, a palpable desire,&lt;/em&gt; but proceeding on past the construction site for the new day care building, past ominous-looking Appleton and the Women’s Nurses’ Residence, then into the cinders of the parking lot next to East House, in all its hideous Victorian&lt;/span&gt; splendor. I hop out, and instantly there is the sensation of being watched from within.&lt;/p&gt;
&lt;p&gt;Often, on the night shift, I am the only male on the ward, and some of the women respond to me in sexual ways that catch me off guard. P made sure to “accidentally” leave her door open when she was taking her bath last night, and she knew very well that I would be making my rounds to check on her and the others in that wing. In the brief glimpse I had of her before I rushed away to notify the head nurse, P looked quite stricken, not because she thought she was going to get in trouble but, I’m sure, because of her disappointment that I didn’t stay to watch.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/winter-2010/east-house&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/winter-2010/east-house#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/fall-contest-winners">Fall Contest Winners</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/short-story">Short Story</category>
 <pubDate>Sat, 26 Dec 2009 07:26:25 -0800</pubDate>
 <dc:creator>Joe David Bellamy</dc:creator>
 <guid isPermaLink="false">80803 at http://www.narrativemagazine.com</guid>
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<item>
 <title>Best Advice</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/best-advice-0</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;bold_caps&quot;&gt;I was whining.&lt;/span&gt; Picture a crippled dog dragging itself into the English office of a university where it teaches a single graduate poetry workshop in which the students disbelieve everything it says and consider their work immune to criticism, a class for which the dog receives little pay and no health insurance. Imagine its hind legs, useless. Of course the dog isn’t really crippled; it hasn’t been run over. But it &lt;em&gt;feels&lt;/em&gt; crippled. It’s the dog’s version of an interpretive dance, to show you how it feels.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/best-advice-0&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/best-advice-0#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/features">Features</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/feature">Feature</category>
 <pubDate>Sun, 13 Dec 2009 09:08:15 -0800</pubDate>
 <dc:creator>Kim Addonizio</dc:creator>
 <guid isPermaLink="false">80406 at http://www.narrativemagazine.com</guid>
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 <title>The Caterer</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/caterer</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;line_spacing&quot;&gt;&lt;span class=&quot;bold_caps&quot;&gt;Moira the cake maker&lt;/span&gt; had a broken toe, and Caitlin Lee was recovering from an appendectomy, so Janet recruited her daughter, Blair, and Blair’s boyfriend, Steven, to help her load the Subaru wagon with trays of food, serving implements, and enormous bunches of peonies from her garden, along with a pile of nice tablecloths and some sparkly stars to scatter here &lt;/span&gt;and there and, oh, how many times had people’s corkscrews broken during a party? As well as the one in her Swiss Army knife, she put in a Cuisinart corkscrew that her clients always fell in love with once they’d used it and—really last minute—dipped into the bucket on the front porch and took out a handful of shells, carefully rinsed by Blair and Steven, because those might be nice too.&lt;/p&gt;
&lt;p&gt;It had been a rainy summer in Maine, but finally it was almost July, and sunny. Everything was very green; Janet had to duck to get under the wisteria growing on the arbor at the end of the walkway, amazed at the amount of lavender petals scattered prettily over the path. No doubt some would be in her hair. “Get a move on,” she called back toward the house. The only response was from the cat, who darted up the stairs and went through its cat door into the house. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/caterer&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/caterer#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/new-fiction">New Fiction</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/short-story">Short Story</category>
 <pubDate>Tue, 08 Dec 2009 13:56:55 -0800</pubDate>
 <dc:creator>Ann Beattie</dc:creator>
 <guid isPermaLink="false">80220 at http://www.narrativemagazine.com</guid>
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 <title>The Ninth Dream: War (in the City in Which I Live)</title>
 <link>http://www.narrativemagazine.com/issues/poems-week-2009-2010/ninth-dream-war-city-which-i-live</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;beginning_caps&quot;&gt;All my life&lt;/span&gt;—let me say this so you understand—&lt;em&gt;all my life&lt;/em&gt;&lt;br /&gt;
I have heard stories of the river and how people were willing&lt;br /&gt;
To die to cross it. To die just to get to other side. The other&lt;br /&gt;
Side was the side I lived on. “And people die to get here?”&lt;br /&gt;
My mother nodded at my question in that way that told me&lt;br /&gt;
She was too busy to discuss the matter and went back&lt;br /&gt;
To her ritual of rolling out tortillas for her seven children, some&lt;br /&gt;
Of whom asked questions she had no answers for. We were&lt;br /&gt;
Poor as a summer without rain; we had an outhouse and a pipe&lt;br /&gt;
Bringing in cold water from a well that was unreliable&lt;br /&gt;
As the white man’s treaties with the Indians, unreliable&lt;br /&gt;
As my drunk uncles, unreliable as my father’s Studebaker&lt;br /&gt;
Truck. I was six. It was impossible for me to fathom&lt;br /&gt;
Why anyone would risk death for the chance to live like us.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/poems-week-2009-2010/ninth-dream-war-city-which-i-live&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/poems-week-2009-2010/ninth-dream-war-city-which-i-live#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poem-week">Poem of the Week</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sun, 06 Dec 2009 23:21:55 -0800</pubDate>
 <dc:creator>Benjamin Alire Sáenz</dc:creator>
 <guid isPermaLink="false">80134 at http://www.narrativemagazine.com</guid>
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 <title>Fever</title>
 <link>http://www.narrativemagazine.com/issues/poems-week-2009-2010/fever</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;beginning_caps&quot;&gt;Hot.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Motionless at the window.&lt;br /&gt;
Forehead beaded with a line of fevered moons, swelling&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;and then dropping&lt;br /&gt;
to the floor—&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Parched.&lt;br /&gt;
Face flushed. Room flushed, red shadows licking up the walls,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;the ceiling,&lt;br /&gt;
you briared in it like a rose on a spit, rubiate,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;carnadine—&lt;br /&gt;
Breathing.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/poems-week-2009-2010/fever&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/poems-week-2009-2010/fever#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poem-week">Poem of the Week</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sun, 06 Dec 2009 23:17:12 -0800</pubDate>
 <dc:creator>Dana Levin</dc:creator>
 <guid isPermaLink="false">80133 at http://www.narrativemagazine.com</guid>
</item>
<item>
 <title>What We Learned</title>
 <link>http://www.narrativemagazine.com/issues/poems-week-2009-2010/what-we-learned</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;beginning_caps&quot;&gt; Was never what&lt;/span&gt; we were supposed to:&lt;br /&gt;
the lilt of the living, salt’s savor.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;div class=&quot;noindent&quot;&gt;It wasn’t the body’s bone-ripples, either,&lt;br /&gt;
or the sways of nurses’ crosses;&lt;br /&gt;
it was the truth of it all—&lt;br /&gt;
hunger’s chill,&lt;br /&gt;
the scream beneath the surface—&lt;br /&gt;
history’s echo tucking us back inside,&lt;br /&gt;
staring from the other side of the glass.&lt;/div&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/poems-week-2009-2010/what-we-learned&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/poems-week-2009-2010/what-we-learned#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poem-week">Poem of the Week</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sun, 06 Dec 2009 00:01:33 -0800</pubDate>
 <dc:creator>Ashley Skabar</dc:creator>
 <guid isPermaLink="false">80091 at http://www.narrativemagazine.com</guid>
</item>
<item>
 <title>Second Anniversary</title>
 <link>http://www.narrativemagazine.com/issues/poems-week-2009-2010/second-anniversary</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;beginning_caps&quot;&gt;Today, June 10,&lt;/span&gt; is the day for all who loved you&lt;br /&gt;
to gather in the park and raise money in your name.&lt;br /&gt;
&lt;br&gt; &lt;/p&gt;
&lt;div class=&quot;noindent&quot;&gt;Somewhere in town, a boy who matches&lt;br /&gt;
your description plays guitar and doesn’t care&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/poems-week-2009-2010/second-anniversary&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/poems-week-2009-2010/second-anniversary#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poem-week">Poem of the Week</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sat, 05 Dec 2009 23:59:08 -0800</pubDate>
 <dc:creator>Meghan Dunn</dc:creator>
 <guid isPermaLink="false">80090 at http://www.narrativemagazine.com</guid>
</item>
<item>
 <title>The Bone Trees</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/bone-trees</link>
 <description>&lt;!--paging_filter--&gt;&lt;h1 class=&quot;title&quot;&gt;1.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;bold_caps&quot;&gt;The whole thing&lt;/span&gt; started&lt;br /&gt;
with one tree made of bone&lt;br /&gt;
an oversized femur&lt;br /&gt;
sticking up like a trunk&lt;br /&gt;
with more bones for branches&lt;br /&gt;
bones hanging like fruit&lt;br /&gt;
in the middle of a field&lt;br /&gt;
one of the few remaining&lt;br /&gt;
fields that nobody owns.&lt;br /&gt;
Word spread the way&lt;br /&gt;
it does in small towns&lt;br /&gt;
and the adults left&lt;br /&gt;
everything they were doing&lt;br /&gt;
forgot their children&lt;br /&gt;
in front of televisions&lt;br /&gt;
abandoned their laundry&lt;br /&gt;
in the middle of a wash&lt;br /&gt;
even left their windows open&lt;br /&gt;
and doors unlocked&lt;br /&gt;
fleeing to the field&lt;br /&gt;
to see the assortment of bones&lt;br /&gt;
tossing back and forth&lt;br /&gt;
like a skeleton wind chime&lt;br /&gt;
and they all stayed for days&lt;br /&gt;
just staring and laughing&lt;br /&gt;
a few people crying&lt;br /&gt;
but most of them dumbstruck&lt;br /&gt;
touching the slick white boughs&lt;br /&gt;
palming their undersides&lt;br /&gt;
as if to weigh them&lt;br /&gt;
hands heavy with calcium&lt;br /&gt;
until everyone fell asleep&lt;br /&gt;
woke up and dispersed&lt;br /&gt;
in no apparent pattern&lt;br /&gt;
like a drop of ink&lt;br /&gt;
in a glass of water.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;div class=&quot;noindent&quot;&gt;
&lt;h1 class=&quot;title&quot;&gt;2.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;By the time people returned&lt;br /&gt;
to their homes&lt;br /&gt;
there were bone trees all over&lt;br /&gt;
filling backyards&lt;br /&gt;
tangled in clotheslines&lt;br /&gt;
and ruining swimming pools.&lt;br /&gt;
They popped up in rows&lt;br /&gt;
in the most troubling of places&lt;br /&gt;
some in the middle of roads&lt;br /&gt;
splitting the pavement&lt;br /&gt;
like miniature earthquakes&lt;br /&gt;
disrupting traffic&lt;br /&gt;
like deer&lt;br /&gt;
with wild antlers&lt;br /&gt;
sending cars and their drivers&lt;br /&gt;
up onto sidewalks&lt;br /&gt;
into telephone poles.&lt;br /&gt;
A skinny row of white&lt;br /&gt;
surrounded the doors&lt;br /&gt;
of the town’s library&lt;br /&gt;
so everyone gave up&lt;br /&gt;
reading books or listening&lt;br /&gt;
to them on tape&lt;br /&gt;
and just watched&lt;br /&gt;
the movie versions instead&lt;br /&gt;
because the video store&lt;br /&gt;
was two towns over&lt;br /&gt;
and not one single bone tree&lt;br /&gt;
had grown over there.&lt;br /&gt;
In the middle of a playground&lt;br /&gt;
they at first spoiled recess&lt;br /&gt;
until the children discovered&lt;br /&gt;
the bones broke off easily&lt;br /&gt;
and the boys were soon&lt;br /&gt;
chasing the girls around&lt;br /&gt;
until they grew dizzy&lt;br /&gt;
and collapsed&lt;br /&gt;
out of breath.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;One bone tree grew&lt;br /&gt;
in the sheriff’s front yard&lt;br /&gt;
and he didn’t even mind&lt;br /&gt;
in fact&lt;br /&gt;
he loved the tree&lt;br /&gt;
more than anything&lt;br /&gt;
he had ever seen&lt;br /&gt;
in his entire life&lt;br /&gt;
went out each night&lt;br /&gt;
to sit on the porch&lt;br /&gt;
and stare at the thing&lt;br /&gt;
like it would be gone&lt;br /&gt;
the next day&lt;br /&gt;
bones glowing like ice&lt;br /&gt;
in the moonlight.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;h1 class=&quot;title&quot;&gt;3.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;Soon enough&lt;br /&gt;
people started looking&lt;br /&gt;
for someone or something&lt;br /&gt;
to blame&lt;br /&gt;
so they blamed it on the birds&lt;br /&gt;
dropping bones&lt;br /&gt;
from their beaks&lt;br /&gt;
for the jelly inside&lt;br /&gt;
but the birds said&lt;br /&gt;
no no no&lt;br /&gt;
we are just like you&lt;br /&gt;
we are just so hungry&lt;br /&gt;
for that sweet sweet marrow&lt;br /&gt;
and these trees&lt;br /&gt;
made of bone&lt;br /&gt;
are impossible&lt;br /&gt;
to build nests in&lt;br /&gt;
so why on earth&lt;br /&gt;
in a million years&lt;br /&gt;
would we ever&lt;br /&gt;
do something&lt;br /&gt;
to ourselves&lt;br /&gt;
like that?&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;Next they turned&lt;br /&gt;
on Mr. Peterson’s huskies&lt;br /&gt;
the three of them&lt;br /&gt;
best known for burying&lt;br /&gt;
bones all over town&lt;br /&gt;
walking around&lt;br /&gt;
with salivating grins&lt;br /&gt;
until they found&lt;br /&gt;
a new water hole,&lt;br /&gt;
but they denied&lt;br /&gt;
any involvement saying&lt;br /&gt;
no no no&lt;br /&gt;
it could not have been us&lt;br /&gt;
we know nothing&lt;br /&gt;
about gardening&lt;br /&gt;
and now there are way too many&lt;br /&gt;
bones for us to bury&lt;br /&gt;
and this town just bores us.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;So the people were stumped&lt;br /&gt;
and spent the next several days&lt;br /&gt;
sitting in their kitchens&lt;br /&gt;
scratching their heads&lt;br /&gt;
and creating new sandwiches&lt;br /&gt;
until finally&lt;br /&gt;
the scientist spoke up&lt;br /&gt;
and delivered his theory&lt;br /&gt;
about how the whole thing&lt;br /&gt;
was a long time coming&lt;br /&gt;
that their secret histories&lt;br /&gt;
could be traced&lt;br /&gt;
to the roots&lt;br /&gt;
of their oldest trees&lt;br /&gt;
that fossilized and spread,&lt;br /&gt;
the earth beneath their feet&lt;br /&gt;
a pile of bones&lt;br /&gt;
pushing up&lt;br /&gt;
to the surface&lt;br /&gt;
like the buried alive&lt;br /&gt;
until one day&lt;br /&gt;
the ground cracked&lt;br /&gt;
and up came the bones&lt;br /&gt;
growing from the roots&lt;br /&gt;
growing into trees.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;p&gt;And after the silence&lt;br /&gt;
and after some thinking&lt;br /&gt;
everyone shook their heads&lt;br /&gt;
and no one asked questions&lt;br /&gt;
not wanting to offend him&lt;br /&gt;
because after all&lt;br /&gt;
they liked him&lt;br /&gt;
but he was only a scientist&lt;br /&gt;
so what could he possibly know&lt;br /&gt;
about this kind of thing anyway.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;h1 class=&quot;title&quot;&gt;4.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;Down at the church&lt;br /&gt;
it was panic and chaos&lt;br /&gt;
on a rather small scale&lt;br /&gt;
as Pastor Paul preached&lt;br /&gt;
to the ten people listening&lt;br /&gt;
that these trees were a sign&lt;br /&gt;
from the devil&lt;br /&gt;
a physical warning&lt;br /&gt;
of the terror to come&lt;br /&gt;
all because people&lt;br /&gt;
refuse to listen&lt;br /&gt;
to the word of God&lt;br /&gt;
and instead choose&lt;br /&gt;
to do things&lt;br /&gt;
like watch football&lt;br /&gt;
on Sundays&lt;br /&gt;
and look down&lt;br /&gt;
the shirt of the girl&lt;br /&gt;
at the grocery store&lt;br /&gt;
or spend all of their money&lt;br /&gt;
on clothes and jewelry&lt;br /&gt;
that they can’t afford.&lt;br /&gt;
Pastor Paul warned his crowd&lt;br /&gt;
and had Mr. Hall&lt;br /&gt;
throwing his arms&lt;br /&gt;
up in the air&lt;br /&gt;
shaking his head&lt;br /&gt;
and screaming out&lt;br /&gt;
noises to ward off&lt;br /&gt;
the bone spirits&lt;br /&gt;
while Mrs. Brown covered&lt;br /&gt;
the ears of her children&lt;br /&gt;
and headed for the nearest exit&lt;br /&gt;
as the oldest living woman&lt;br /&gt;
sat in her pew&lt;br /&gt;
and awaited instructions.&lt;br /&gt;
He then urged everyone&lt;br /&gt;
to move as far away&lt;br /&gt;
as possible in the quickest&lt;br /&gt;
amount of time&lt;br /&gt;
for the devil&lt;br /&gt;
was surely planning&lt;br /&gt;
some sort of invasion.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;h1 class=&quot;title&quot;&gt;5.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;Television crews&lt;br /&gt;
from all the major stations&lt;br /&gt;
parked their vans&lt;br /&gt;
in the town’s biggest driveways&lt;br /&gt;
and a fit of jealousy&lt;br /&gt;
swept across the country&lt;br /&gt;
once people turned on&lt;br /&gt;
their TVs and saw&lt;br /&gt;
what was going on&lt;br /&gt;
in this part of their nation.&lt;br /&gt;
People in every state&lt;br /&gt;
wanted trees&lt;br /&gt;
of their own&lt;br /&gt;
buried bones&lt;br /&gt;
once given to dogs&lt;br /&gt;
in the ground and waited.&lt;br /&gt;
Some towns tried fertilizing&lt;br /&gt;
their cemeteries&lt;br /&gt;
watering them regularly&lt;br /&gt;
hoping for some sort of reincarnation&lt;br /&gt;
but the majority of people&lt;br /&gt;
were just too impatient&lt;br /&gt;
and painted their trees&lt;br /&gt;
white from bottom to top&lt;br /&gt;
tying little chicken bones&lt;br /&gt;
to the ends of the branches&lt;br /&gt;
tricking themselves&lt;br /&gt;
into thinking&lt;br /&gt;
that if they looked quickly&lt;br /&gt;
enough no one could tell&lt;br /&gt;
the difference.&lt;br /&gt;
The Chinese claimed&lt;br /&gt;
to have been growing&lt;br /&gt;
bone trees for years&lt;br /&gt;
and just keeping it&lt;br /&gt;
a secret from us&lt;br /&gt;
like so much of themselves&lt;br /&gt;
but of course this was a lie&lt;br /&gt;
and of course none&lt;br /&gt;
of the other schemes worked&lt;br /&gt;
and when people realized&lt;br /&gt;
they could not have&lt;br /&gt;
what they wanted so badly&lt;br /&gt;
they were so angry&lt;br /&gt;
that they pretended&lt;br /&gt;
the whole thing&lt;br /&gt;
never happened&lt;br /&gt;
and went back&lt;br /&gt;
to making puzzles&lt;br /&gt;
and trapping flies in jars.&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;h1 class=&quot;title&quot;&gt;6.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;A special town meeting&lt;br /&gt;
was called for a night&lt;br /&gt;
when the men did not bowl&lt;br /&gt;
and the kids did not&lt;br /&gt;
have to be put to bed early&lt;br /&gt;
and the number of people&lt;br /&gt;
that went was so great&lt;br /&gt;
that their shoulders were touching&lt;br /&gt;
and the room got heavy&lt;br /&gt;
so the doors were opened&lt;br /&gt;
and the people exploded&lt;br /&gt;
out of them onto the grass&lt;br /&gt;
behind the town hall.&lt;br /&gt;
They decided to move&lt;br /&gt;
to the high school football stadium&lt;br /&gt;
because at least it could provide&lt;br /&gt;
bleachers for them&lt;br /&gt;
while they argued&lt;br /&gt;
about ownership of the trees&lt;br /&gt;
most people angry at the few&lt;br /&gt;
who wanted the bones&lt;br /&gt;
to be dug up or bulldozed&lt;br /&gt;
and tossed into piles&lt;br /&gt;
at the town dump.&lt;br /&gt;
“You can’t destroy something&lt;br /&gt;
that is not yours”&lt;br /&gt;
was repeated like a mantra&lt;br /&gt;
and met with a reply&lt;br /&gt;
of “Yes we can.”&lt;br /&gt;
They went on like this&lt;br /&gt;
for hours on end&lt;br /&gt;
to no satisfactory conclusions&lt;br /&gt;
raising their voices&lt;br /&gt;
getting red in the faces&lt;br /&gt;
and clenching their fists&lt;br /&gt;
like they were trying to shake&lt;br /&gt;
the water out of a raindrop&lt;br /&gt;
until someone said plainly&lt;br /&gt;
in a rare quiet moment,&lt;br /&gt;
“Let’s not try to figure out&lt;br /&gt;
everything at once.”&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;h1 class=&quot;title&quot;&gt;7.&lt;/h1&gt;
&lt;p class=&quot;half_break&quot;&gt;&lt;/p&gt;
&lt;p&gt;It was a long winter&lt;br /&gt;
in which most things died.&lt;br /&gt;
Not all things.&lt;br /&gt;
At some speck of history&lt;br /&gt;
people attached themselves&lt;br /&gt;
to the poor idea that everything&lt;br /&gt;
dies in winter&lt;br /&gt;
but it is only most things.&lt;br /&gt;
The bones on the trees&lt;br /&gt;
did not change color&lt;br /&gt;
or fall off&lt;br /&gt;
or get raked&lt;br /&gt;
into black plastic bags&lt;br /&gt;
with other bones.&lt;br /&gt;
In a  farmhouse kitchen&lt;br /&gt;
a black kettle whistled&lt;br /&gt;
and it felt like all of our bones&lt;br /&gt;
were taken from our bodies,&lt;br /&gt;
stacked into freezers,&lt;br /&gt;
and given back to us.&lt;br /&gt;
Outside&lt;br /&gt;
the dogs were going wild&lt;br /&gt;
a whole pack of them&lt;br /&gt;
fresh from the woods&lt;br /&gt;
of another town&lt;br /&gt;
barking at the smoke&lt;br /&gt;
rushing out of the chimney&lt;br /&gt;
like a cloud&lt;br /&gt;
that looked like an alligator&lt;br /&gt;
chasing a child&lt;br /&gt;
across the great swamp&lt;br /&gt;
of sky&lt;br /&gt;
a child made of smoke&lt;br /&gt;
made from fire&lt;br /&gt;
made from wood&lt;br /&gt;
chopped in a yard&lt;br /&gt;
by a child’s father.&lt;br /&gt;
The child’s floating&lt;br /&gt;
was much too slow&lt;br /&gt;
and in one fit of smoke&lt;br /&gt;
he was crushed&lt;br /&gt;
into a scatter of bones.&lt;br /&gt;
Some people claimed&lt;br /&gt;
this was how the whole thing started.&lt;br /&gt;
Others joined the search party&lt;br /&gt;
but did not discover&lt;br /&gt;
any clues.&lt;br /&gt;
After four days&lt;br /&gt;
everyone gave up&lt;br /&gt;
and began tracking blackbirds&lt;br /&gt;
falling from the sky&lt;br /&gt;
but this proved too difficult&lt;br /&gt;
as it was cold&lt;br /&gt;
and the birds did not want&lt;br /&gt;
to be tracked.&lt;span class=&quot;narrative_icon&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p&gt;&lt;br&gt;&lt;/p&gt;
&lt;div class=&quot;noindent&quot;&gt;&lt;span class=&quot;caption&quot;&gt;&lt;em&gt;“The Bone Trees” is Shane Lake’s first publication.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/bone-trees#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poetry">Poetry</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sat, 05 Dec 2009 23:48:15 -0800</pubDate>
 <dc:creator>Shane  Lake</dc:creator>
 <guid isPermaLink="false">80088 at http://www.narrativemagazine.com</guid>
</item>
<item>
 <title>How Do We Bury the Dead</title>
 <link>http://www.narrativemagazine.com/issues/narrative-backstage/how-do-we-bury-dead</link>
 <description>&lt;!--paging_filter--&gt;&lt;p&gt;&lt;span class=&quot;bold_caps&quot;&gt;how do we&lt;/span&gt; bury the dead&lt;br /&gt;
stacking up on the patio against our picture window? I can&lt;/p&gt;
&lt;p&gt;barely see&lt;br /&gt;
over the last body blown here by another cluster bomb—&lt;br /&gt;
every forty minutes, every twenty, every ten, every five every four&lt;/p&gt;
&lt;p&gt;every three every two every one—&lt;br /&gt;
I can no longer see into the garden&lt;br /&gt;
&lt;br&gt;&lt;/p&gt;
&lt;div class=&quot;noindent&quot;&gt;what do we do with all these children&lt;br /&gt;
lying here outside our kitchen&lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.narrativemagazine.com/issues/narrative-backstage/how-do-we-bury-dead&quot;&gt;read more&lt;/a&gt;&lt;/p&gt;</description>
 <comments>http://www.narrativemagazine.com/issues/narrative-backstage/how-do-we-bury-dead#comments</comments>
 <category domain="http://www.narrativemagazine.com/category/section/poetry">Poetry</category>
 <category domain="http://www.narrativemagazine.com/category/literary-form/poetry">Poetry</category>
 <pubDate>Sat, 05 Dec 2009 23:46:13 -0800</pubDate>
 <dc:creator>Mermer Blakeslee</dc:creator>
 <guid isPermaLink="false">80087 at http://www.narrativemagazine.com</guid>
</item>
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