Tomás Q. Morín is the author of the poetry collections A Larger Country, winner of the APR/Honickman Prize, and Patient Zero (Copper Canyon Press, 2017), and translator of Pablo Neruda’s The Heights of Macchu Picchu. Third Place winner in Narrative’s First Annual Poetry Contest, he is coeditor, with Mari L’Esperance, of the anthology Coming Close: Forty Essays on Philip Levine. Morín lives in Texas.

Photograph by Erin Evans.

Patient Zero

by Tomás Q. Morín

Love is a worried, old heart
disease, as Son House once put it, the very stuff
blues are made of, real blues
that consist of a male and female, not monkey junk
like the “Okra Blues” or “Payday Blues,”
though I think House would agree
two hearts of any persuasion are enough for a real blues,
if one of them is sick, that sickly green of a frog

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