Miguel Martin Perez, an Afro-Dominican poet from Harlem and the South Bronx, has earned the Leslie McGrath Poetry Prize and the Pacific Spirit Poetry Prize. He holds an MFA in creative writing from the University of California in Riverside and lives in West Covina.

Bélizaire and Other Poems

by Miguel Martin Perez


Bélizaire


The fact that he was covered up haunted me. . . . We knew we needed to find out who he was, as a son of Louisiana and as somebody who is worthy of being remembered.
—Jeremy K. Simien, Baton Rouge art collector


This boy I was was born to the dross of arson,
raised in the shells of capsized buildings.
Child yet to learn what history teaches.
Young inheritor of fire: whimward cleanser,


skystainer. Migraine bells and red ears. He ran
through the hallway filled gray, through
muscle memory of home. His mother
was a fading apparition, his sister choked asthma.


Down the stairs, gray turned orange, orange
gray, then sight: a crowd outside watched
the billowing windows, an obelisk of smoke
rose high into the night. Upon returning,


the halls were painted a pastel yellow.


                              *

                                           Bélizaire—


                                           they painted over you—drowned you
                                           in the sea’s bleak blue, in olive streaks
                                           of far-off land. your head was shoved
                                           a hundred years behind a scrape of cloud.


                                           they made the tree you leaned on whole
                                           and hollowed you. left you ghost
                                           of a garage, louisiana. smothered haunting,
                                           spectral shadow. sold again and sold again.


                                           a microscopic process, the way a painting
                                           is restored—cotton swabs and tweezers,
                                           a worker ant’s digging. you’ve been exhumed,
                                           sent north and hung footless on white walls.


                              *

Time passes. Someone tore frantic
into the hallway’s wall. Layers peek out:
Charcoal 2020. Raw sienna ’16. Cerulean ’11.
Indigo ’09. Yellow ’04. Vermillion 2000.


Tints of further years I never knew.
Tattered eucalyptus bark, decades
of faded rainbows. decades. faded
rainbows and i can find him—


rip through self like a forgotten gift
till blood till fallen nails he must
be in here—i used to hear him—
i used to hear this boy wail milk


and crunchy peanut butter
where is he?—he knows nothing
of this place—this redundant body
blighted skin blazing world


he’s in here—i can save him—
he hasn’t learned to ask for help—


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the waiter is black the pretty pool glistens

cerulean the pretty sky unhindered the pretty

sand litterless topaz warping the background

the pretty ocean is every trope of a pretty ocean

in every sense the luminaries etched onto stone

bloody millennia bodies drop our pretty words

the trees fall the pretty bodies the ephemera

bodies wither body body all our lives

toppled bodies fire falling pretty pretty sky


Daisies

When I was born, my mother
would write my name
against paper over and over—
her blue cursive like river


to riverbed—until there was
no room for words.
In the crevices
she doodled little daisies.


I have grown. Inherited
her idle hands. The way
they find new ways
to trouble trouble.


But no two hands upend it all.
Stale breath. Old dreams. I cloud
insomnia, voices in my ear.
New moon glides


across indigo nothing, starless
nothing, and I yield.
A patch of flotsam lost
to the whim of wave and wind.


At a loss for lighthouses.
Candleless. Sometimes
things are nothing more
than what they are. The sea


is only the sea. The sand is
only sand. The sky just sky.
War just war. Death, death.
People who were once here,


once were. What was, was.
No longer and no more.
I run fingers along the water.
Speak my name against the silence


over and over. Hoping
to be reborn. But a name
is just a name. Those daisies,
just adornment. Idle hands.


Read on . . .

“The Docent,” a poem by Cassandra Cleghorn